The resulting subtitles made me feel like I was watching a high-end foreign film - right before I brutally clubbed someone to death.
Ubisoft also worked with a pair of linguists to create speech based on proto-Indo-European, the ancestor of most European and Indian tongues, to approximate a language that might have been spoken in the Stone Age.
Because the Wenja and Izila are meant to be nomads, there's a clear mix of ethnic backgrounds in both tribes, with some people having dark skin and dark hair, and others fairer skin with lighter hair. Research time was also spent on the racial appearance of the three groups. Ubisoft was so dedicated to creating a veneer of historical realism that its developers worked with anthropologists and historians to research the clothing and culture of Stone Age humans. "I got pretty proficient with a bow and arrow, and was able to take out a Neanderthal with a head shot at 50 yards." The Udam, the substitutes for Neanderthals in the game, appear to pray to a Mesopotamian fertility goddess - historically impossible, but it made me smile to see the statue. The cowrie shells worn as identification by the Wenja tribe were included by the game's developers to refer to the migration of Africans into Europe, and to the use of the shells as currency in many cultures around the world. Like Assassin's Creed, Primal scratches my humanities itch, mixing in juicy nuggets of fact in a broth of creative license. As I ran from mission to mission, rescuing Wenja and cutting a bloody swath through my enemies, I reveled in watching butterflies flit through the air as a herd of deer grazed in an open pasture and the sun set in the background. There are icy, snowcapped mountains, with temperatures so intensely cold your character will die in about 5 minutes without the proper clothing. You'll encounter rolling, grassy plains and redwood forests so dense that sunlight struggles to break through. Like Kyrat in Far Cry 4, Oros is a breathtaking land of extremes.
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